Bjarne Melgaard
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Bjarne Melgaard Details
Review "The most famous Norwegian artist since Munch"--Charles McGrath, New York Times"This fury, scenery-chewing conflagration of the political, the sexual and the formal pushed the curatorial envelope in all directions."--Roberta Smith, New York Times"The guy's unstoppable."--Andrew Russeth and Dan Duray, The New York Observer"It's nearly impossible to assess Melgaard's cage-rattling project within the codified discourse on "art and identity," but this may be precisely its liberatory power."--Scott Rothkopf, Artforum"[Melgaard] is not an artist willing to be contained" --New York Times. "Bjarne Melgaard (a name to remember) creates work that I always enjoy: Art that invites you to come play. I happily step right into his cuddly world, bright-pink walls and all."--Elisabeth Von Thurn Und Taxis, Vogue. Read more About the Author Hans-Ulrich Obrist is an art curator, critic, and art historian. He is codirector of exhibitions and programs and director of international projects at the Serpentine Gallery, London. Glenn O’Brien is an author and essayist who has written extensively on the subjects of art and fashion. His world-syndicated column "The Style Guy" has been the style bible for several generations of men. Ina Blom is an art critic and professor of art history at the Department of Philosophy, Classics, History of Art and Ideas at the University of Olso. Caroline Busta is a writer and the Editor-in-Chief of Texte zur Kunst in Berlin. Alissa Bennett is an art critic, writer, and the director of Team Gallery. Nick Vogelson is an editor and creative director. He is the Editor-in-Chief of Document Journal. Read more
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